Contemporary pop art sculpture brings recognizable objects into three dimensions. Explore works explicitly described as sculpture in Tom Pergola’s catalog, then discuss scale, display and a negotiated price.
Explore the artworkA sculpture’s depth, surfaces and changing angles can matter as much as its front view. Request photographs that reveal how the actual piece occupies space. A wall sculpture and a freestanding object may need entirely different display plans.
Confirm dimensions, weight if available, mounting requirements and access to the display location. Ask about packing and transport separately from the artwork price. A catalog photograph does not establish installation suitability.
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Candy Man is a figure at near human scale, covered head to toe in candy and standing on a base of candy-covered turf. A red cap, sunglasses and a slung bag give the figure a playful, slightly surreal swagger. Tom Pergola assembles the surface from everyday objects in his Assemblage Plastique technique, so the sweetness of the material meets the weight of a monumental sculpture. At approximately 6′ × 2′ 10″ × 2′, it anchors a room.
Crossed golf clubs rise from a patch of artificial turf with golf balls at their base. At the top, a sculpted character in a cap and sunglasses looks out, lit with small lights. The work holds a golfer’s daydream in a single assembled figure.
Money Laundering by Los Angeles artist Tom Pergola turns a familiar phrase into a clever visual statement through a playful ironing board scene. Created in his signature Assemblage Plastique style, this original mixed-media pop art sculpture blends humor, satire, and everyday objects into a bold conversation piece for collectors, galleries, offices, or contemporary spaces.
A plush dog sleeps on a small mound while a cloud floats above it on a frame of sticks and wire. The work turns a pet’s dream into a physical scene. At approximately 5′ 6″ × 2′ 8″ × 2′, it stands as a tall, freestanding sculpture with a tender, humorous tone.
A slow cooker overflows with colorful candy and rising mist, set on a yellow stool beside a colander of more sweets. The work turns everyday kitchen objects into a metaphor for indulgence, consumer culture and modern appetite. At approximately 2′ 9″ × 1′ 8″ × 1′ 2″, it brings humor and social commentary to a compact footprint.
Experience
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